BourgeoisGentilV1, France, Analysis, bibRecord, 000004

Doubler les consonnes en chant baroque français : un cas de gémination expressive ?

Identifieur interne : 000004 ( France/Analysis ); précédent : 000003; suivant : 000005

Doubler les consonnes en chant baroque français : un cas de gémination expressive ?

Auteurs : Claire Pillot-Loiseau [France] ; Claudia Schweitzer [France] ; Christelle Dodane [France] ; Alice Romeo [France] ; Giuseppina Turco [France]

Source :

RBID : Hal:hal-01858422

Descripteurs français

mix :
- chant baroque, doublement consonantique, expressivité, français, gémination.

English descriptors

mix :
- Baroque vocal technique, French, consonant doubling, expressivity.

Abstract

Doubling the consonants in French Baroque singing: Is it a case of expressive gemination? What are the acoustic cues of consonant doubling, a technique mainly described in the 18th century in French vocal baroque music, for expressive purposes? Do these markers assimilate to gemination? We recorded 5 Baroque singers producing a song by Lully in speech and song modalities, with and without consonants doubling. The analysis of the duration of the doubled consonants compared to that of the word of these 50mn productions was carried out, then analyzed statistically according to the modality (sung vs. spoken), the condition (with vs. without doubling) and the type of consonant ((/s,f,v/, /l,m/, /r/, and /p,t,k,b,d,g/). Our results show a significant increase in the relative consonantal duration with the doubling, especially for singing, but varying XXXIIe Journées d'Études sur la Parole 4-8 juin 2018, Aix-en-Provence, France according to the singer and the type of consonant. In singing and in speech, the preceding vowel is shorter when it is followed by a doubled consonant than when it is not. MOTS-CLES : doublement consonantique, gémination, chant baroque, français, expressivité.

Url:

https://hal.archives-ouvertes.fr/hal-01858422

DOI: 10.21437/JEP.2018-3

Affiliations:

France

Links toward previous steps (curation, corpus...)

to stream Hal, to step Corpus: 000045
to stream Hal, to step Curation: 000045
to stream Hal, to step Checkpoint: 000004
to stream Main, to step Merge: 000004
to stream Main, to step Curation: 000004
to stream Main, to step Exploration: 000004
to stream France, to step Extraction: 000004

Links to Exploration step

Hal:hal-01858422

Le document en format XML

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<tutelle name="UMR7018" active="#struct-441569" type="direct"><org type="institution" xml:id="struct-441569" status="VALID">          <idno type="IdRef">02636817X</idno>
          <idno type="ISNI">0000000122597504</idno>
          <orgName>Centre National de la Recherche Scientifique</orgName>
          <orgName type="acronym">CNRS</orgName>
          <date type="start">1939-10-19</date>
          <desc>            <address>              <country key="FR"></country>
            </address>
            <ref type="url">http://www.cnrs.fr/</ref>
          </desc>
        </org>
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</hal:affiliation>
<country>France</country>
</affiliation>
</author>
<author><name sortKey="Turco, Giuseppina" sort="Turco, Giuseppina" uniqKey="Turco G" first="Giuseppina" last="Turco">Giuseppina Turco</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-986" status="VALID">          <idno type="IdRef">147500885</idno>
          <idno type="RNSR">200112425F</idno>
          <orgName>LPP - Laboratoire de Phonétique et Phonologie - UMR 7018</orgName>
          <orgName type="acronym">LPP</orgName>
          <desc>            <address>              <addrLine>19 Rue des Bernardins 75005 PARIS</addrLine>
              <country key="FR"></country>
            </address>
            <ref type="url">http://ed268.univ-paris3.fr/lpp/</ref>
          </desc>
          <listRelation>            <relation active="#struct-52995" type="direct"></relation>
            <relation name="UMR7018" active="#struct-441569" type="direct"></relation>
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          <idno type="ISNI">0000 0004 1937 060X </idno>
          <orgName>Université Sorbonne Nouvelle - Paris 3</orgName>
          <date type="start">1970</date>
          <desc>            <address>              <addrLine>17, rue de la Sorbonne - 75231 Paris cedex 05</addrLine>
              <country key="FR"></country>
            </address>
            <ref type="url">http://www.univ-paris3.fr/</ref>
          </desc>
        </org>
</tutelle>
<tutelle name="UMR7018" active="#struct-441569" type="direct"><org type="institution" xml:id="struct-441569" status="VALID">          <idno type="IdRef">02636817X</idno>
          <idno type="ISNI">0000000122597504</idno>
          <orgName>Centre National de la Recherche Scientifique</orgName>
          <orgName type="acronym">CNRS</orgName>
          <date type="start">1939-10-19</date>
          <desc>            <address>              <country key="FR"></country>
            </address>
            <ref type="url">http://www.cnrs.fr/</ref>
          </desc>
        </org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</analytic>
<idno type="DOI">10.21437/JEP.2018-3</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Baroque vocal technique</term>
<term>French</term>
<term>consonant doubling</term>
<term>expressivity</term>
</keywords>
<keywords scheme="mix" xml:lang="fr"><term>chant baroque</term>
<term>doublement consonantique</term>
<term>expressivité</term>
<term>français</term>
<term>gémination</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Doubling the consonants in French Baroque singing: Is it a case of expressive gemination? What are the acoustic cues of consonant doubling, a technique mainly described in the 18th century in French vocal baroque music, for expressive purposes? Do these markers assimilate to gemination? We recorded 5 Baroque singers producing a song by Lully in speech and song modalities, with and without consonants doubling. The analysis of the duration of the doubled consonants compared to that of the word of these 50mn productions was carried out, then analyzed statistically according to the modality (sung vs. spoken), the condition (with vs. without doubling) and the type of consonant ((/s,f,v/, /l,m/, /r/, and /p,t,k,b,d,g/). Our results show a significant increase in the relative consonantal duration with the doubling, especially for singing, but varying XXXIIe Journées d'Études sur la Parole 4-8 juin 2018, Aix-en-Provence, France according to the singer and the type of consonant. In singing and in speech, the preceding vowel is shorter when it is followed by a doubled consonant than when it is not. MOTS-CLES : doublement consonantique, gémination, chant baroque, français, expressivité.</div>
</front>
</TEI>
<affiliations><list><country><li>France</li>
</country>
</list>
<tree><country name="France"><noRegion><name sortKey="Pillot Loiseau, Claire" sort="Pillot Loiseau, Claire" uniqKey="Pillot Loiseau C" first="Claire" last="Pillot-Loiseau">Claire Pillot-Loiseau</name>
</noRegion>
<name sortKey="Dodane, Christelle" sort="Dodane, Christelle" uniqKey="Dodane C" first="Christelle" last="Dodane">Christelle Dodane</name>
<name sortKey="Romeo, Alice" sort="Romeo, Alice" uniqKey="Romeo A" first="Alice" last="Romeo">Alice Romeo</name>
<name sortKey="Schweitzer, Claudia" sort="Schweitzer, Claudia" uniqKey="Schweitzer C" first="Claudia" last="Schweitzer">Claudia Schweitzer</name>
<name sortKey="Turco, Giuseppina" sort="Turco, Giuseppina" uniqKey="Turco G" first="Giuseppina" last="Turco">Giuseppina Turco</name>
</country>
</tree>
</affiliations>
</record>

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Doubler les consonnes en chant baroque français : un cas de gémination expressive ?

Doubler les consonnes en chant baroque français : un cas de gémination expressive ?

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